Tets Kimura

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About Tets Kimura

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    Senior Member
  • Birthday 03/23/1979

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    http://www.atelierkimura.com
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  • Interests
    Penguins

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  1. Tets Kimura

    Conte Vitali measurements

    I don't know about their newer posters, but some of older ones are terrible. I understand it is nothing to do with contributors who provided photos, plans and measurements, though. The one I remember particularly is the G.B.Rogeri violin poster, which the back outline was scaled to match the measurements taken over the arch, so it's actually way too big.
  2. Tets Kimura

    Varnish Crackle Question

    Great minds think alike.
  3. Tets Kimura

    Varnish Crackle Question

    Have you applied another coat of varnish after you'd used the oil paint as dirt? If you've left the oil paint a little too thick, and therefore not dry enough when the next coat of varnish was applied, it could cause crackling.
  4. Tets Kimura

    Does anyone NOT build Strad? And if not, why?

    You can certainly learn from what sort of old instruments are selling at the moment. I'd been working in a shop where they had things from the high-end stuff to the lower end, and rightly or not, what had been considered at the lower end was often the instruments with high arch.
  5. Tets Kimura

    Does anyone NOT build Strad? And if not, why?

    Unfortunately, it really depends on what your CURRENT market demands. Whether your Stainer models sound better to you (or anybody) than a Strad model, that's irrelevant. I mean, I wish I could convince my clients that they could play on an Amati model, and they'd still be heard in a concert hall, but that's not the reality.
  6. Tets Kimura

    Does anyone NOT build Strad? And if not, why?

    Know your market is the answer, though that might not be the answer you're looking for. There are a plenty of people who don't mind which model they're having their instruments made on as long as they play how they want them to, and also there are people who want their instruments to look/sound like so and so's instruments. So, as long as you can satisfy your clients with explanations such as "this Guarneri sounds like so-and-so Strad which is going to suit your style without compromising your physical need.", you probably don't have to stick with making Strad models. However, never say you only make Guarneri models until you have a plenty of people queueing up to buy you stuff. Currently, my clients are made up of people who'd like something they cannot get hold of without spending a fortune, but happy to settle for something whose quality is more than adequate.
  7. Tets Kimura

    High resin content varnish

    Hi John, After reading the Greiner/Brandmair book, I first tried varnish which was something like 2.3:1 (resin to oil.) I liked the result, especially the intensity of colour, and how it wore off. However, I never get along well enough with varnish with turps (I hate how it feels when applying), so I'd abandoned it after using it on a couple of instruments. Since then, I slowly increased the amount of oil, but to keep chippiness of the dried film, I started to add 5% bees wax. For me, the leanest varnish I can apply without any solvent is 1.6:1, and right now I'm settled on 1.25:1. I don't cook mastic nor oil, so viscosity of the varnish might be quite different from yours.
  8. Back to the original question; It reminded me of this thread which I found interesting when it appeared on MN originally (9 years old! Was it that long ago!!) Ah, Torbjörn, you were on it too.
  9. Tets Kimura

    Christian Bayon´s bench

    Nice to see you working well. I've got a couple of friends who keep telling me how good your instruments sound. Hope I'll meet you in person, and learn from you in near future.
  10. Tets Kimura

    Reproducing varnish chipping.

    Much of this came from crackling before varnish worn off.
  11. Tets Kimura

    Tets Kimura's Bench

    Nice to see you here, Martina. This is the back. It's a nice piece of maple, so I'm trying hard not to spoil it.
  12. Tets Kimura

    Tets Kimura's Bench

    An ongoing project. This is the first time I'm varnishing each parts separately.
  13. Tets Kimura

    Modern Violas Based on The Stradivari CV form

    This is a viola based on the CV form I made this year. I kept the original's dimensions, and also the shoulder of the scroll, but it worked out well sound wise. The tone was more focused than my Guarneri based model.
  14. Tets Kimura

    How Messy can Your Shop get?

    That's as tidy as my workshop can get.
  15. Tets Kimura

    F-hole finessing hacks

    Nice video, Davide. I'm impressed that you are locating f-holes from inside. I've tried that a few times, but it never worked out for me. I finish f-holes with my knife rather quickly, and I like the no-muss no-fuss look I get. I don't mind seeing a kink here and there as long as f-holes (or rather a whole instrument) look classy. Although I understand that's quite a different approach from Davide, or David Burgess. But, hey, you gotta choose the side you're most comfortable and natural with. Having said that, I must admit sometimes I clean upper and lower holes with a piece of sandpaper wrapped around a reamer without cutting edges.